Tag: writing


  • Pep Talks

    Lately I’ve been starting my writing day by asking myself:

    What is the pep talk I need to hear today?

    It turns out that every day, this answer is vastly different than the day before.

    Not only that, but sometimes the person I need to hear it from is not even me, but someone else, someone I may or may not have access to, which can get really tricky.

    For example, a couple of days ago, the pep talk I needed–ridiculously enough–was encouragement from my fifth grade teacher, who is not only deceased, but also wasn’t my favorite person and also not the nicest or most encouraging person when she was alive.

    It was a situation where my brain told me I wanted something I was literally never, not in a million years, ever going to get.

    This, friends, is what therapy does to you. It not only makes you aware of situations like this, but it also makes you aware of situations like this, if you know what I mean.

    Because I think without therapy, I would go through my day, not really knowing what it was I thought I needed, only knowing I was never going to get it. But because I’ve gone to therapy and I’ve done the work and I can put the name to the thing and process through some of it, I feel like I’m required to then untangle some of those knots.

    Lucky me.

    My fifth grade teacher…I’m sure she had her own demons. Some of those demons, no doubt, were fifth grade kids. Have you met fifth grade kids? They’re brutal. But let’s just say…she was in the wrong profession for her temperament.

    I have always been an avid reader and writer. I was that kid with a notebook when I was nine. The I-won’t-bother-you-if-you-don’t-bother-me type. The kind who would rather sit in the library than play outside. We could have just been cool with each other. But no.

    One day a kid named Travis jerked my notebook out from under me, held it up for all to see, and announced to the class that I was writing a book and I wanted to be published.

    The class laughed.

    And then Ms. Sade joined in.

    “That’s ridiculous,” she said.

    She could have just said nothing at all. She could have said, “Dude, stop touching other people’s shit.” But no.

    This isn’t really a sore spot for me now, but it gutted me at the time. I was eight years old. I didn’t know any better. All I knew was to be hurt.

    So when I have these moments where I need reassurance but from a specific person or a specific point in the past, I try really hard to perk up and listen to what it’s really asking.

    This particular instance was asking for someone to stand up with a piece of my work, like Travis did, and ask: Could this be something? Or will someone laugh at it?

    And the solution was simple: I sent a chunk of work to my agent, whom I trust will not laugh at me, and asked for feedback.

    There’s a whole big can of worms that comes with asking for what you need, too, instead of waiting for someone to magically guess, but I don’t have time to get into that today. I have a kitten sleeping on my lap, and my coffee is fresh, and I have more words to write before the kitten wakes and the coffee goes cold.

    So I will leave you with this, fellow writers and future me: don’t be afraid to ask for what you need when you need it.


  • Writing Sprints

    Today I am doing writing sprints to get my word count in for the day.

    What are writing sprints?

    Writing sprints are when you take a big chunk of time, ie: your writing time for the day, and you split it up into writing time and resting time, so that you get stuff done but you also don’t burn yourself out or stress yourself out.

    For me, today, this looks like 15 minutes writing followed by 15 minutes resting. You can write or rest for longer or shorter, depending on how you’re feeling. The only rule is that you make the rules.

    (If this sounds a lot like the Pomodoro Technique, you’re not wrong! It’s pulled directly from that, probably!)

    Writing sprints are probably one of the best tools in my writer toolbox. Also, I think, the most intimidating, for me. Because what do you mean you just sit down and write for fifteen minutes, without stopping? Do you know what kind of crap I can come up with in fifteen minutes of writing without stopping?

    One of the things that has tangled me up this year is this weird sort of stuck headspace, where I’ll spend hours going over and over and over one chapter, one scene, without moving on. I know better. And still I get caught in this endless loop.

    Writing sprints are what help me move forward in times like this, without too much mental frustration. Fifteen minutes on new things, and then I can fret over the old words for a bit. Then fifteen more minutes on new words… And so on.

    Therapy has taught me over the years that when your mind gets “stuck” or “hooked” on certain things, it’s likely for a very good reason, usually to protect you from something, even if that something or its methods don’t make sense. It would be easy for me to say, “Going over old words is a stupid, useless, waste of my time, so I just stopped doing it!” But the reality is, it’s likely a manifestation of something much greater, like anxiety, which isn’t so easy to quell. So I just roll with it, and try to find a happy medium in the meantime.

    Another thing that has been really helpful is to remind myself that every book I’ve ever finished, every book I’ve ever loved, every book I’ve ever submitted, every book that’s ever been accepted, every book that’s ever been anything has been written sloppily, in little bursts at a time.

    Every. Single. One.

    So my anxiety over the clean-up process–whether I can do it, whether it will be too hard, whether future me will be capable–is fear-based, not fact-based.

    I can do hard things, because I have done hard things.

    P.S.: If you would like to join me in writing sprints, beginning Thursday, December 28, 2023, 9PM-11PM EST, I’ll post threads here and on Threads and Instagram where you can join in weekly!


  • Same Liz, New Books

    Many (many, many) years ago, when I was a college student writing my first book, I started a writing blog as a way to help me stay focused. The logic went: if I was blogging, then I was writing, and if I was writing, then something would eventually get done. And if something got done, then I had something to edit. And on and on.

    Really, it wasn’t a bad plan. It got me through two majors and five (5!!) books. I learned a lot (from other writers and trial and error) and I shared a lot and then…man, I just got tired. I got a job. I co-founded a non-profit. I started doing some ghostwriting. I developed a stress-related auto-immune disorder that causes my immune system to eat my organs whenever I get really excited or really scared or when it’s Tuesday or I have to pee… Basically, I finish a book and go into liver failure. Eat a bagel, go into kidney failure. Wake up five minutes late, have no hemoglobin. It’s fine. Totally fine. Everything is OK.

    Point is, after a ten year hiatus, I miss blogging. Not so much for the accountability, because I don’t need that anymore. But because I miss connecting with other writers on a more-than-120-characters level. And because, more than anything, I miss getting in touch with my process, that writer part of me that is always evolving, that doesn’t get a proper check-in often enough.

    (Sorry, writer me. You’re important! You matter! It just doesn’t always feel like you matter when there are other less important but more pressing responsibilities breathing down my neck! We’re going to do better, you and I. I promise!)

    Today I started a new book, which I love and think is great, except that right now the writer part of me is struggling with finding balance and being OK with not writing ALL THE THINGS! ALL THE TIME! The past few months have been the most creatively fulfilling months I’ve had in years, and it’s been a fight to share my time with other responsibilities. Like, you know, work. And sleep. And self-care.

    Twenty-two-year-old writer Liz would not have let those things get in the way of the words. She would have found a more accommodating job, loaded herself full of cigarettes and Red Bull, and powered through. This is probably why thirty-six-year-old writer Liz has no hemoglobin. 🙂

    I just have to keep repeating to myself that small chunks of time are just as important as larger ones, small word counts add up just as quickly as big ones, and books that get continuous work will always eventually get finished.

    That’s the only way I have ever finished a book and the only way I ever will.

    Do the work. Every day. Beginning with day one.

    And all you have to do on day one?

    Just start.


  • Basketcase and Other Musings On What It Means To Be A Writer With Mental Illness.

    bookgeekconfessions:

    image

    “This is like an AA meeting for book depressives, anxiety cases, ADHD, I consider myself the triple threat,” Margaret Stohl (Beautiful Creatures, Icons) joked at the first panel I attended at the first ever YallWest book festival. “In honor of my ADHD AA…

    Basketcase and Other Musings On What It Means To Be A Writer With Mental Illness.


  • Great writers aren’t great first-drafters. They’re great rewriters.



  • On Creativity and Perseverance

    clairelegrand:

    I have something to say, to all you creative types out there.

    Not a big thing; just a little thing. A thing that’s been on my mind.

    Don’t give up.

    Whether you’re a writer, an artist, a photographer, a musician, a dancer, a designer.

    Don’t give up.

    Last year was a particularly challenging…

    On Creativity and Perseverance


  • I guess shortcuts come with strings attached. You might sell your soul to the devil without realizing it and miss out on all the trying and failing, clawing yourself out of the mud that’s supposed to make you who you are.

    Tara, Dance Academy Series 3 (via lizwritesbooks)

  • Q&A: Is there a place you can go to find a critique partner?

    I’ve been in the querying trenches for months and all the feedback I’ve gotten is to find a critique partner to work with. How does that happen? Is there a place you can go to find someone like?

    I don’t really have critique partners so much as I have friends who are writers with whom I exchange work whenever one of us needs an extra pair of eyes. But to answer your question, I got these friends by basically just talking to them. I commented on their blogs, liked their contest entries, engaged with them on Twitter, responded to their message board posts. Eventually, we became friends and began sharing our work with each other. 

    I’m sure there are places one can go specifically to find a critique partner, but I’ve never had much luck in that arena, so I wouldn’t know. Hopefully if someone else sees this and has ideas, they’ll chime in.


  • Reminder: First Drafts are Always Shit

    One of the things I miss most about keeping a writing blog is the constant assessment of process. Because I was always writing about writing, I was more aware of my writing. More aware of what worked and what didn’t, why I did or did not do certain things. 

    Of course, the reason I stopped writing about writing was because I tend to want to use my writing time, you know, writing, and the more I indulged in the writing (as opposed to the writing about writing), the more I realized I didn’t know shit about writing, and maybe I just needed to shut up.

    But I seem to be learning the same things over and over again, and every time it happens, I’m like, “Oh, yeah, I remember that now. Wonder why that didn’t stick.”

    The most recent of these moments is happening now, and it has to do with first drafting.

    Or more specifically, that first drafts are shockingly shit, and the best way to combat the shit-shock is to always be drafting something.

    I learned this in 2010, and then again in 2012, and then a year later in 2013, and then in July 2014. 

    And now I’m learning it again in April 2015. 

    It’s surprising how quickly one forgets just how incredibly hard it is to draft a book. To put words on the page even though you know they are the wrong words. Even though you know the words are absolute shit. 

    When I finished my last book, I promptly started another. Because I hadn’t yet forgotten that the secret to drafting is to never stop drafting. 

    But then there were holidays and revisions and setbacks at work. There was stress and anxiety and sick cats and stomach bugs. 

    In the end, the book I had been working on got scrapped, needed to be entirely redrafted with a different focus. I took some time off. Finished revisions. Did a lot of not writing. 

    And now I’m back, with a new book, and I’m sick with just how badly it sucks. Physically ill. I’m losing brain cells writing it. 

    Thing is, this is normal

    This is how it’s supposed to be

    For me, at least.

    This is how I feel with every book I’ve ever written–a truth to which three years of writing-blogging can attest. 

    Memory is a funny, fickle little monster. I say this because I remember the books I’ve written, but I don’t really remember writing them. 

    Even the last book, which I turned in not even a month ago, is a blur. A scroll through my text messages show that not thirty-six hours before I sent the book back to my agent, I was texting my friend Liz, telling her all about how I could not fix my book because it was an unfixable mess, and did she know how to break the news to the agent and editor waiting for me to figure my shit out?

    From unfixable mess to polished and turned in. In a day in a half. And hell if I know how that happened. 

    So realistically, based on past experience, I should not be sick over a shitty first draft. I should look at it as part of the process, and trust that no matter how shitty it is now, in a month, it will be less shitty. And in three, it probably won’t be shitty at all.

    And instead of dreading the imperfect pages, I should embrace them, close my eyes and dive in, make as many mistakes as I can, while I can. Because if ever there was a time to make them, this is it.

    This is my challenge for April. This is my challenge for always. 

    Do the work.
    Trust the process.
    Let go of imperfection. 

    Stop trying to write a book.
    Just tell a story.